16/10/16 05:55:31.58 5H1HP7KD.net
345 : 見ろ！名無しがゴミのようだ！ (ﾜｯﾁｮｲ cfed-8qPS)2016/10/15(土) 12:33:41.66 ID:zzJbZcXo0
一応絶賛の意見ばかりじゃなくて批判的なレビューもあるからそれも載せとくな
宮崎駿と比べられて新海は「過大評価」と言ってたけどその通りだと思ったよ的な感じ
映像の美しさは褒めてる
URLﾘﾝｸ(loose-lips.com)
It’s all extremely Young Adult Fiction, which isn’t a problem in itself, except that the film uses its glossy,
bubblegum presentation in lieu of spending time building a relationship, giving us a reason to care.
This is exemplified in the film’s closing act, where stirring power ballads and moist-eyed confessions of love
screamed across mountaintops abound without the legwork to justify them. The net result is a movie that ?
and this is not an easy thing to write about a director I’ve long respected ? is somewhat embarrassing for an adult to watch.
It would be easy to write it off as a case of ‘Not Aimed At You’, but it’s not as simple as that: Any story,
regardless of who it’s aimed at, has the same responsibility to make you invested in its drama, to make you believe.
The obvious love and care that’s gone into Your Name only make this fact worse: this is a beautifully animated film,
with gorgeous landscapes and scenes of flowing movement and colour that are among the finest I’ve ever seen.
It makes you long for a different cut of this film: One that took its time, that lingered with its characters,
and made love a thing earned, rather than a thing inevitable.
Your Name is teen fluff in an epic guise, wonderful to look at but not a whole lot more. In the past,
Makoto Shinkai has found himself being hailed as the ‘next Hayao Miyazaki’.
He has always called those comparisons an “overestimation”. This time, sadly, I think I would have to agree with him.
404 : 見ろ！名無しがゴミのようだ！ (ﾜｯﾁｮｲ 8b2f-xEJm)2016/10/15(土) 13:13:18.28 ID:Xg3C9u2c0
>>345
訳そうとしたけど力尽きたので最初と最後だけ。意訳。
究極的にジュブナイルフィクションで、それ自体は問題ないけど、光沢のあるバブルガムのような表現を、関係構築や状況説明よりも多用しているのは問題。
これはエンディングにも現れていて、心ゆするパワーバラードと涙を誘う告白シーンも、必然性を持たせるための取材がされていない。
この映画の全体的な結果は、そして私が長年愛した監督について書くことを難しくさせるものは何か、それは大人が見るのに少々恥ずかしい、ということである。
略
君の名は、は壮大な見た目をしているが、10代の「産毛」映画です。過去に監督自身がポスト宮崎と称賛された際。彼は「過大評価」と謙遜していたが、残念ながら同意せざるを得ない。